![B minor flat seventh guitar](https://cdn1.cdnme.se/5447227/9-3/15_64e61dfcddf2b36505b4c7c9.png)
Rearranging and transposing, this gives A ♭–C ♭–E ♭–F ♯, a virtual minor version of the German augmented sixth chord. The minor seventh chord may also have its interval of minor seventh (between root and seventh degree, i.e.: C–B ♭ in C–E ♭–G–B ♭) rewritten as an augmented sixth C–E ♭–G–A ♯. See also: Augmented sixth chord § Minor seventh as virtual augmented sixth chord For example, the minor/major seventh chord built on C, commonly written as Cm M7, has pitches C–E ♭–G–B: When the seventh note is a major seventh above the root, it is called a minor/major seventh chord. Įxample of tonic minor seventh chords include LaBelle's " Lady Marmalade", Roberta Flack's " Killing Me Softly with His Song", The Doobie Brothers' " Long Train Runnin'", Chic's " Le Freak", Lipps Inc.'s " Funkytown", and the Eagles' " One Of These Nights".
![b minor flat seventh guitar b minor flat seventh guitar](https://ukelib.com/chords/images/b-flat-minor-7th-sharp-5.png)
In an ascending melodic minor scale, it is only on the supertonic degree ( ).In a harmonic minor scale, it is only on the subdominant degree ( ).In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ).This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7).
![b minor flat seventh guitar b minor flat seventh guitar](https://lifein12keys.com/wp-content/uploads/2019/06/A-minor-7th-guitar-chord.png)
![B minor flat seventh guitar](https://cdn1.cdnme.se/5447227/9-3/15_64e61dfcddf2b36505b4c7c9.png)